The spotlight has now shifted to the three East African countries and this will also be highlighted by the visit to Tanzania by the CAF Executive Committee and the CAF President Dr Patrice Motsepe on Friday, 13 February 2025.
The song is currently charting in Spotify’s Top 100 and posting strong numbers across major streaming platforms, marking an unexpected but decisive comeback. Its renewed dominance is being fueled not by nostalgia alone, but by viral momentum across TikTok, Instagram, and other social platforms.
“Over Again” has become the soundtrack for emotionally driven content, with Gen Z creators and millennials using the record to narrate stories of love, betrayal, heartbreak, and personal healing. From short skits to raw, personal storytelling videos, the song has evolved into a cultural reference point for shared emotional experiences.
The trend has escalated rapidly, attracting top-tier influencers and high-profile digital creators whose participation has amplified the song’s reach nationwide and pushed it deeper into mainstream conversation.
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Today, Beauty has established herself as a luxury lifestyle influencer, commanding a loyal, predominantly female following. Whether she’s hosting charitable outreaches or sharing real, relatable advice for young women navigating entrepreneurship, Beauty has become more than a public figure, she’s now the blueprint.
Here are five times Beauty Tukura has proven that she’s the ultimate ‘IT’ girl.
She Was a Beauty Queen Before the Fame and It Shows
During a media launch in Accra on Tuesday, November 25, the company explained that the games were created to feel familiar, engaging, and fun, while still giving players real opportunities to win.
All three games are fully registered and approved by the National Lottery Authority (NLA), giving them full credibility under Ghana’s gaming laws.
After weeks of intense competition, 24-year-old Akosua Arhin emerged victorious, claiming the coveted crown in a gleaming finale that celebrated beauty, talent, confidence, and the empowerment of young Ghanaian women.
The glittering night opened with the Top 10 finalists delivering a captivating introductory performance, an illuminated act filled with synchronized movements, radiant costumes, and an unmistakable energy that set the tone for the evening. The ladies dazzled the audience with their poise and commitment, reminding everyone why they made it to the grand finale.
From there, the competition unfolded with elegance and emotion. The finalists competed in a series of segments designed to test not only their beauty, but their intellect, advocacy, creativity, and stage presence. Their evening gown presentation was a breathtaking display of class and style, as each contestant graced the runway with confidence and sophistication.
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The event will officially mark the first-ever fan concert by a Korean artist in Ghana and West Africa. The concert is organized by Jaese Productions in collaboration with Native Hyve, the team behind Ghana’s acclaimed Eat Drink Music Festival.
Best known for hits like Wine, SURAN has built a dedicated global following through her innovative blend of R&B and pop. She has also contributed to numerous Korean drama soundtracks.
Mr Kwabena Opoku-Boakye, Head of Marketing for the NLA outlined the mechanics of participation and nationwide engagement efforts assuring Ghanaians of a simple and accessible and impartial process.
Speaking on behalf of the Board Chairman of Rambell, Mr. Rockson Konde explained how fans can take part, stating: “Joining is straightforward. Dial *899*899#, follow the prompts and play. Every play increases your chances. It’s as simple as that. Play More, Win More.”
“This relationship aligns perfectly with the AU’s Cultural Policy for Africa and the AU Agenda 2063, which prioritise the creative economy as a driver of sustainable development, youth empowerment, and continental integration. The new dates for the 9th AFRIMA in January 2026 provide an exciting opportunity to further showcase the rich diversity, innovation, and unity of Africa’s music and culture to the world.”
Built on the raw bounce of late ‘90s and early noughties Galala music, and laced with modern Afro-dancehall sensibilities, ‘No Jonze’ is pure forward motion and celebration with purpose – applauding hustle, urging focus, and reminding underdogs to keep their foot on the gas, with the title flipping Lagos street slang into a mantra for life, imploring listeners not to fumble the moment.
‘No Jonze’ is the first taste of a highly anticipated forthcoming project that will see Patoranking revisiting the streets and culture that raised him, and reframing that energy for today’s global afrobeats stage, connecting his reggae and dancehall foundation with global music momentum.
